"From 'Ta Physika' to Contemporary Physics – A Historical Journey and Development"

“From ‘Ta Physika’ to Contemporary Physics – A Historical Journey and Development”


### Simon Stevin: Trailblazer of Statics in the Sixteenth Century

Simon Stevin (circa 1548–1620) was a versatile Flemish scholar whose innovative input in statics has led to his status as a key scientist of the sixteenth century. While his contributions are frequently eclipsed by figures like Galileo, Stevin’s distinctive scientific methodology—developing ideas in the vernacular and emphasizing practical applications—solidified his significance in the evolution of mechanics. Hailing from Bruges, Stevin engaged in a multifaceted career encompassing mathematics, physics, engineering, music theory, navigation, and political consulting. This article delves into his pioneering endeavors in statics, notably encapsulated in his esteemed 1586 work, *De Beghinselen der Weeghconst* (*The Principles of the Art of Weighing*).

### The Life and Achievements of Simon Stevin

Stevin’s journey into academia was atypical. Born to privilege as the illegitimate child of Antheunis Stevin and Cathelijne van der Poort, he began his professional life as a clerk, traversing Northern Europe before formally joining Leiden University in his early thirties. His close relationship with Maurits van Nassau, an influential noble and military commander, became a pivotal moment in Stevin’s career. Serving as Maurits’s advisor, Stevin not only transformed Dutch military engineering but also founded a military science school at Leiden University in 1600.

What distinguishes Stevin as a remarkable historical personality is not only the variety of his pursuits but also the linguistic and methodological decisions he made in his research. In contrast to many of his peers who composed their works in Latin, Stevin courageously wrote in Dutch, underscoring his dedication to making scientific knowledge accessible. By inventing numerous technical terms in Dutch—some of which persist today—Stevin anticipated the seventeenth-century trend of writing scientific texts in vernacular languages, a practice famously embraced by figures like Galileo and Descartes.

### *De Beghinselen der Weeghconst*: A Milestone in Statics

In 1586, Simon Stevin released his impactful work *De Beghinselen der Weeghconst* (*The Principles of the Art of Weighing*). This publication marked the application of Archimedean principles to statics, outright rejecting the prevailing Aristotelian physics. The volume also contained two supplementary texts, *De Weeghdaet* (*The Act of Weighing*) and *Beghinselen des Waterwichts* (*The Principles of Hydrostatics*), reflecting a comprehensive initiative to explore forces in equilibrium and fluid dynamics.

#### Composition of *De Beghinselen der Weeghconst*

Drawing inspiration from the logical precision of Euclid’s *Elements*, Stevin structured *De Beghinselen der Weeghconst* with definitions, basic terms, propositions, and proofs. The work was divided into two books, presenting principles of equilibrium and centers of gravity in a methodical manner:

– **Book I:**
– Law of the lever (Propositions 1–4)
– Equilibrium of a balance with weights (Propositions 5–12)
– Utilizing inclined planes and systems with dual supports (Propositions 13–18)
– Stevin’s renowned “law of the inclined plane,” featuring the *clootcrans* or “wreath of spheres” (Proposition 19)
– Suspended balance setups with unequal weights (Propositions 20–28)

– **Book II:**
– Centers of gravity in geometric figures (Propositions 1–6 for triangles and regular shapes; 7–13 for trapezoids and parabolas)
– Centers of gravity in three-dimensional constructions (Propositions 14–24 for columns and pyramids)
– Exploration of hydrostatics and real-world applications

### The *Clootcrans*: Stevin’s Demonstration of the Law of the Inclined Plane

One of the most renowned components of *De Beghinselen der Weeghconst* is Proposition 19, where Stevin presents his *clootcrans* (Dutch for “wreath of spheres”). This concept illustrates the balance of forces on inclined planes and anticipates the theory of the parallelogram of forces.

Stevin’s *clootcrans* serves as a thought experiment depicted by a circular array of spheres resting on two inclined planes of unequal lengths culminating at a peak. Stevin postulated that, disregarding friction, the wreath would remain still unless external forces intervened. This suggests that the gravitational force along either incline is proportional to the lengths of the planes. It served as a sophisticated illustration of equilibrium and force vectors, contributing significantly to the understanding of statics.